You’ve made a short video but you need some music to make it fly. Where do you go?
Firstly, don’t ever rip of a pop track from your itunes library. You don’t want copyright lawyers on your tail.
Do go and find some music and make sure you use it with the right permission. This can be through a site offering royalty-free or creative commons music.
Tips on searching
Most music libraries organise their content through mood and genre. So, if you are after upbeat and happy you can find what you are after quickly. Quite a few mix up their free content with paid for. So if you have no budget just stick to the free.
Tips on crediting
Many sites allow you to use the track with the artist’s blessing so long as you meet the terms of the licence. This could be credit including a web address in the content or just the name of the composer. But maybe not if you are a business. Always check the individual permission on the piece of music. Don’t cut corners and deliberately forget to credit. You’ll be in breach of copyright. At best, that’s bad form. At worst, your content will be pulled and you’ll be billed.
Tips on downloading
Most sites which have music will involve you downloading the track. Your mobile device may not have stacks of spare memory so I’d be tempted to download and save to something like Google Drive using a laptop first if you are android or icloud if you are Apple. This means the track is stored in the cloud for you to call on as and when. Make sure you keep a note of the licence you are using somewhere so you can be sure this random mp4 file is actually fine to use.
Here are a few places you can go to
Bensound.com This is a royalty free site with around 100 tracks ranging from cinematic to world, acoustic, folk and the interesting classification of corporate / pop. Lots of royalty free tracks and some you need to pay for. PRO: Free with a credit. CON: Not the largest selection.
YouTube Music Policies. This is where you can use some chart hits from recognised pop stars like Ed Shearan, Celine Dion and Psy. There are dozens there. PRO: You can use music people will have heard of. CON: You can only use on YouTube and you agree to ads being played during your video that will earn the artist – not you – money. You won’t have control over what ads.
YouTube audio library. This has more than 150 tracks with different layers of permissions. The site itself is well classified and easily searchable. PRO: The library is straightforward to use. CON: You can only use on YouTube and you’ll need to give a credit.
Audionautix. This has several hundred tracks which have been added with a creative commons licence. PRO: There is a wide range of genres to look for. CON: The website is a little clunky to navigate around.
Kinemaster. This is editing software that also has some 30 tracks for you to download. If you take out a pro subscription you have an extra 50 to choose from. PRO: This works seamlessly with the editing software so you won’t have to navigate around the web saving to Google Drive. CON: A limited number of tracks for free and is also mobile or tablet-only.
Purple Planet. This comes highly recommended from my colleague Steven. PRO: There is around 100 tracks that are available royalty free. CON: There are larger collections around.
freemusicarchive.org. This site is recommended by the Creative Commons organisation and has hundreds of tracks. PRO: There is a wide choice of genres. CON: The site is trickier than others to navigate around.
Facebook sound collection. This is Facebook’s library of music to use. You can search through tempo and genre. Great if you want a Mariachi band singing happy birthday on Facebook. Not so great if you want to post to Twitter. PRO: There’s a lot of decent tracks that’s fairly easy to search. CON: You can only use the music on Facebook and nowhere else.
ccmixter. Another site recommenced by Creative Commons with a library of several thousand tracks. PRO: A lot of choice. CON: The tracks are filed by artist and song so you’ll need to do some digging to find the right mood or pace.
mobygratis. Music visionary Moby has 150 tracks he is prepared to release to non-profits and students. There is a process to go through but its well worth a look. PRO: It’s Moby. CON: Not everyone will get licensed and it will take time. Thanks Chris Davies for this tip.
If you want to learn more about creating video with your smartphone or tablet I’ll be co-delivering ESSENTIAL VIDEO SKILLS FOR COMMS in London on March 27, London on May 21, Manchester on May 30, Birmingham on June 4, and Edinburgh on June 7. I’m also co-delivering SKILLS YOU WILL NEED FOR LIVE VIDEO in London on May 22.
Picture credit: US National Archives / Flickr