10 places to distribute your video to make it a success

5236263550_12bf640a5b_oYou’ve made a cracking video but you’re really not sure what to do next.

So what do you do?

For the past 12-months I’ve looked, made, researched and co-delivered workshops on essential video skills for comms.

As a comms person I’m convinced that video has a powerful role in creating engaging content. As I’ve said before, a large chunk of the internet is now video and that’s just going to grow.

The two things you need for engaging video

Think of Pearl & Dean. Think of sound and vision. It’s two things that go together. There’s a balancing act for creating successful video as part of a comms campaign. On the one hand you need good content. But on the other hand, good content that’s sat on your mobile phone isn’t going to reach anyone. So think about when and where you can post what you’ve made.

Live streaming is a bit different

Live streaming using Periscope, Meercat or Facebook Live is video. But this is video of the moment which is disposable. If the advantage is to be five yards away from the firefighter explaining the incident is now under control then it makes sense to use that. Speed and realtime point you to these platforms.

Don’t be blinded by numbers

Have a think about your audience. If you are keen to reach 16-year-old students about to decide which college to go to then your idea of success is not to chase Taylor Swift numbers. But if you’ve only reached a dozen then you may need to have a think about your distribution. In other words where people have the chance to see the video.

10 places where people can see your video

YouTube direct. This is the grand daddy of internet video. It’s used by more than a billion people a month. In the UK, more than 40 million people use the platform every month. Post your video to YouTube but keep it at around three minutes. Add tags and a good description so people will find it. Metadata is your friend. Optimum time: around three minutes.

Facebook direct. A new kid on the block compared to YouTube. At the moment, Facebook is rewarding you for adding video content to a page. It likes video because video keeps people interested, engaged and sharing. A hundred million hours of video is watched on Facebook every day. There is a battle going on between YouTube and Facebook but it’s worth posting video here too. Facebook can soar in the short run and is outperformed by YouTube in the long run. So think about posting to both. Optimum time: 21 seconds.

Twitter direct. Like Facebook, Twitter is liking that you post video direct to itself from the Twitter mobile app. But annoyingly, it’ll only let you upload a video from elsewhere if you are using an iphone.Optimum time: less than 30 seconds.

Instagram direct. There is a tendency for organisations to sit back and think that YouTube, Facebook or Twitter means the internet is covered. What hogswallop. If you know your audience you’ll have an idea which platforms they’ll be using. If instagram or snapchat is on their wavelength then think about how you’ll be using those channels first. By doing that you’ll have an understanding of what video may work.Optimum time: Instagram was up to 15 seconds maximum but now can be 60 seconds. Doesn’t mean you should use 60 seconds, mind.

Snapchat direct. Younger people are opting for snapchat. Again, disposability rules in the content. The platform now has 10 billion views a day. Organisations who are using it well have got to know snapchat first and make specialised content. It’s not a place to throw your three minute YouTube video.Optimum time: less than 10 seconds.

Email the link internally. Once you’ve posted the video cut and paste the URL and send it to people. Embed it in the weekly email. Or send it to the 10 people in the team you’ve featured. Invite them to share it and you can start to tap into your staff as advocates. YouTube links are good for this.

Embed in a webpage. It never fails to surprise me that video carefully shot and posted onto social channels then never makes the webpage. If you look after a museum, embed the video onto the right webpage so when visitors come they’ll have more than just the opening times to look at.

A staff meeting or event. You have an audience of people corralled into a room. Of course you should show them the film you’ve made.

A link attached to a press release. If you’re sending out a press release it is becoming increasingly important to add a video or an image to it to register an interest with a reporter. Even if it’s a short video it’s worth doing.

Target influencers. If the blogger, the reporter or the big cheese are people you’d like to see the video don’t hope that somehow they’ll pick up on it. Email them direct. Tweet them direct. Tap them on the shoulder. “I’ve got this video that I think you’ll like.”

On a welcome screen on a loop. If you have a reception or a place where people gather show the video on a loop. You may want to screen it with the sound off if you’ve only got 30 seconds of good footage. Think about silent film techniques and sub-titles.

To learn more about planning, editing, shooting and posting video using a smartphone come to a comms2point0 essential video skills workshop.

Dan Slee is co-creator of comms2point0.


FOR UNDER 24s: Create Content Without Boundaries

109934945_0b552b44bc_oSometimes you stumble on something that catches your imagination and fills in some of the blanks.

That happened listening to Millie Riley a broadcast assistant who was talking on BBC Radio 5’s Review of 2013.

She was talking about how under 24-year-olds consume their radio and how their radio is online, face-to-face, shared… and on the radio.

It reminded me that you can learn things from people outside public relations and I was listening thinking of how this affected me in my job as local government public relations.

Listening to Millie talk about her radio was like listening to someone talk about a foreign country. But that’s fine. I’m not in that generation born post 1982 that are known as Millenials.

Just think of it all as content without boundaries.

As Millie says:

“It’s just to do with great content. Wherever there is great content we will be. The main understanding is that it can be funny, it can be news, it can be documentaries. We can put lots of different hats on. There’s a misunderstanding that we want really funny stuff or just music. Actually, we can do all sorts of things.

“As clichéd as it may sound, wherever there is great content that’s where we’ll be.

“They’re listening to the radio and they don’t even realise they’re listening to the radio. They’ll be listening to clips on the BBC website or whatever. They’ll suddenly realise: ‘oh, that’s radio.’ Everything out there is just an amalgamation. It’s just stuff to be interested and enjoy. It might be radio. They may not even realise it.

“We do have lots of options. But if you create content that’s multi-platform and multi-media and Radio One are really good at this. They’ll create a video and then they’ll talk about it on air and people will watch it online and they just bring the two together and I think that’s the way to do it.

“The more their content becomes ubiquitous and the more they become a name on YouTube and that’s the main platform that they’re using the more people will become connected to Radio One as a brand. They’ve definitely upped their game at the beginning and end as that tells them that it’s Radio One. They’re getting better at that.”

You can hear Millie’s contribution on Soundcloud too here…

https://soundcloud.com/millie-riley/millie-riley-bbc-5live-radio

So, that leads to this kind of content. A Muse track with a homemade video and 60,000 views.

So, what does that piece of radio advice mean for my corner of communications?

It made me think of something Julie Waddicor wrote on comms2point0 about making friends with creative people from colleges as part of a campaign. That makes sense. There may be some rough edges but you’ll get a different perspective.

By thinking of something more creative you may open the door to something like Melbourne Metro system’s ‘Dumb Ways To Die’ which saw a 21 per cent dip in track incursions and 67 million views on YouTube.

So, it begs the question, what are you doing to get a message to under 24s? And others?

Are you really sure that press release of yours is making it?

Or should there be different talents in the team too?

Picture credit 

Dial http://www.flickr.com/photos/tunruh/109934945/sizes/o/